TERROR AT THE OPERA
Snake Bird Blue
You know those weird-ass European movies where everything is shot in the fog and there's always a gypsy (or some other stereotypical villain) lurking around the corner? And there's always an accordion playing? Terror at the Opera takes that sorta stuff and then warps it into something akin to old-school art songs. That two women (or two people; gender doesn't enter into it) could make stuff this oddly intriguing is most impressive.

Jon Worley, Aiding & Abetting #253